Bali sculpture – Balibs http://balibs.org/ Thu, 30 Dec 2021 13:41:18 +0000 en-US hourly 1 https://wordpress.org/?v=5.8 https://balibs.org/wp-content/uploads/2021/08/cropped-icon-32x32.png Bali sculpture – Balibs http://balibs.org/ 32 32 Granada completes the renovation of its underwater sculpture park: Travel Weekly https://balibs.org/granada-completes-the-renovation-of-its-underwater-sculpture-park-travel-weekly/ Tue, 23 Nov 2021 08:00:00 +0000 https://balibs.org/granada-completes-the-renovation-of-its-underwater-sculpture-park-travel-weekly/ The Granada Tourism Authority said it has completed the renovation of Granada’s Underwater Sculpture Park, which was the first of its kind when it opened in 2006 and has since become one of the country’s most popular attractions. The park, located off the west coast of the island in the Molinere Beauséjour Marine Protected Area, […]]]>

The Granada Tourism Authority said it has completed the renovation of Granada’s Underwater Sculpture Park, which was the first of its kind when it opened in 2006 and has since become one of the country’s most popular attractions.

The park, located off the west coast of the island in the Molinere Beauséjour Marine Protected Area, was designed by British sculptor Jason deCaires Taylor and is accessible to snorkelers and snorkelers. The installation includes 82 life-size sculptures that reflect the culture of Granada and are mostly fashioned from simple substrates, which are surfaces on which marine life can thrive.

One of the park’s most famous sculptures is the Vicissitudes, a circle of 28 figures representing local Grenadian children linked by hands.

Other notable pieces include the Lost Correspondent, a man working at a typewriter on a desk covered in historical newspaper clippings. Another sculpture, called Sienna, depicts the figure of a young diver from a local story, and TAMCC Faces is a series of life-size faces that appear to be cast in the crevice of a large coral boulder.

Over time, the sculpture park has been affected by natural environmental forces. The restoration project included the repair and cleaning of specific structures as well as the removal of some sculptures and the relocation of other pieces.

“The Granada Underwater Sculpture Park is a national treasure, and its upkeep is important to maintaining the pure appeal of Grenada’s waters,” said Petra Roach, CEO of the Tourism Authority.

“Innovatively designed to act as an artificial reef, the park has attracted an astonishing array of diverse marine life since its inception and provided a surface for coral growth, which is important to our continued conservation efforts and commitment. to combat the ravages of global warming, ”Roach said.

Several local dive operators run tours of the park, including EcoDive Grenada, which offers a two-hour tour for snorkelers to the park and nearby reefs from $ 45, or four hours from $ 60.

Dive tours are also offered and a full list of operators is listed.

In addition to the underwater park, the waters of Granada contain more than 30 dive sites, including the Bianca C, the largest wreck in the Caribbean.


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Large art sculpture discovered under rubble in Jeddah https://balibs.org/large-art-sculpture-discovered-under-rubble-in-jeddah/ Tue, 02 Nov 2021 07:00:00 +0000 https://balibs.org/large-art-sculpture-discovered-under-rubble-in-jeddah/ DJEDDAH: Year after year, vacationers in Saudi Arabia prefer to revisit their favorite vacation destinations, and research shows the Saudis are not breaking away from their pre-pandemic patterns anytime soon. According to a new study from Marriott Bonvoy, the traveler loyalty program encompassing hotels, resorts, house rentals and experiences in 30 brands in 138 countries, […]]]>

DJEDDAH: Year after year, vacationers in Saudi Arabia prefer to revisit their favorite vacation destinations, and research shows the Saudis are not breaking away from their pre-pandemic patterns anytime soon.

According to a new study from Marriott Bonvoy, the traveler loyalty program encompassing hotels, resorts, house rentals and experiences in 30 brands in 138 countries, 12% of Saudi travelers have visited the same country 10 times or more. In contrast, 30% returned to the same country five or more times before the start of the pandemic last March.

International tourism has always been the preferred way of vacation for many Saudis, with Arab countries leading in many categories.

“I would normally prefer my getaway destination to be familiar and comfortable, a place I can call my home away from home. I like to walk down the street to a cafe that knows my order and walk a path along a river that I have memorized, ”said Abrar Abulfaraj, 29, from Jeddah.

The usual nature of Saudi travelers shows that even after the pandemic, only 21% of those traveling abroad would opt to explore a new vacation spot.

Abulfaraj added: “It is only because of the pandemic that I have become adamant about visiting new destinations, (having) new adventures and enjoying more the luxury of traveling abroad as soon as the coast is clear. . “

It should be noted that the current health measures still exercised around the world to manage the pandemic also contribute to the decisions of Saudi travelers.

While the following countries have always been a must-see, there are many things that go into deciding on a foreign trip, including accommodation, cuisine, language, itinerary, currency exchange, and the weather guaranteed.

In 2021, 84% have expressed their intention to go on a trip in the next 12 months, compared to 8% who plan not to, and the remaining 8% are still on the fence.

Post-pandemic statistics show Egypt will be the # 1 getaway destination, with 33% of travelers planning to visit the country.

I would normally prefer my getaway destination to be familiar and comfortable, somewhere that I can call my second home. I like to walk down the street to a cafe that knows my order and hike a trail along a river that I have memorized.

Abrar Abulfaraj

Noha Yousef, a private sector worker in Riyadh, told Arab News that catching a plane and going to her favorite destinations rekindled her sense of adventure.

“My family has been visiting Cairo for as long as I can remember and it is always the first stop to any destination. Whether it’s Europe or the US, even Bali once, Cairo is where I go first and visit it at least twice a year, ”Yousef said.

“We’re creatures of habit and once you find something or a comfortable place you keep coming back to it because that’s where you have fun most of the time when you’re away. Cairo has always been a place of adventure for me, there is always something new to experience.

“Whether you are strolling through the alleys of the old town or zigzagging the double-parked side roads in the heart of the city, towards the very latest attraction, there is always something to do and you just can’t. beat Egyptian hospitality. “

The second most popular travel destination for Saudi travelers is the United Arab Emirates, with 29% planning to go there for a well-deserved break.

The UAE’s language, food, and proximity to Saudi Arabia make it an ideal vacation choice.

Further away, the favorites are the Maldives and Austria, respectively, with 15% and 12% of Saudi travelers considering them for their next trip.

As some embark on adventurous journeys and immerse themselves in new cultures and experiences, research shows that most Saudis traveling abroad opt for familiar and previously visited vacation destinations.

Neal Jones, Director of Sales and Marketing for Marriott International, said: “We know there is pent-up demand for travel and this research demonstrates the impact the pandemic continues to have on global travel trends.

“The numbers suggest that post-pandemic Saudi vacationers are looking for tried and trusted destinations where they know exactly what to expect – so they can make the most of a long-awaited vacation abroad and avoid any surprises after 18 years. months of turmoil and uncertainty.


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Carol Bove’s Material Illusions at the Nasher Sculpture Center https://balibs.org/carol-boves-material-illusions-at-the-nasher-sculpture-center/ Tue, 02 Nov 2021 07:00:00 +0000 https://balibs.org/carol-boves-material-illusions-at-the-nasher-sculpture-center/ Carol Bove at the Nasher Sculpture Center: rust, ripples and material illusion At the Nasher Sculpture Center, Texas, an exhibition by American artist Carol Bove examines 20th century traditions and pushes metal to its limits At the Nasher Sculpture Center in Dallas, TX, “Carol Bove: Collage Sculptures” marks the first major museum presentation focused solely […]]]>

Carol Bove at the Nasher Sculpture Center: rust, ripples and material illusion

At the Nasher Sculpture Center, Texas, an exhibition by American artist Carol Bove examines 20th century traditions and pushes metal to its limits

At the Nasher Sculpture Center in Dallas, TX, “Carol Bove: Collage Sculptures” marks the first major museum presentation focused solely on the American artist’s assembled steel sculptures.

The exhibition features nine “sculpture-collages” (as the artist calls them), from the past five years, two of which were made especially for Nasher’s exhibition. From a monumental outdoor sculpture to an intimate tabletop composition, the exhibition highlights the versatility of Bove’s work; a lesson in materiality.

“Carol Bove is an artist of extraordinary diversity and subtlety,” says director Jeremy Strick, director of the Nasher Sculpture Center. “His work skillfully extends traditional sculptural precedents into revealing new forms, both physically and conceptually fresh, that confuse and delight. “

Bove, who has just installed four sculptures on the facade of Met Fifth Avenue in New York City, is adept at making the sturdiest materials appear malleable, pliable and flexible, as if they could wave or warp in the wind, or wrinkle like a fabric. As the artist vividly describes, these sculptures are “a story of movement and pressure, of strength and gentleness”.

By welding and bolting together different shapes of steel and shaping the material with a variety of tools, Bove finds new possibilities in found and industrial materials, and new potential in sculptural traditions previously considered exhausted. We see raw rust-riddled scrap combined with tube-like shapes covered in dense, matte color layers that suggest something altogether more synthesized, digitally rendered and immune to elemental destruction.

“The materials, processes, and syntax of Bove’s nascent sculptures struck me as deeply familiar, but there were, excitingly, elements of the unknown, as if this long-familiar approach to sculpture could lead to places not still imagined, ”said curator Catherine. Craft seeing the first iterations of Bove’s new work.

Bove’s bold use of color and form also refers to 20th century sculpture traditions: from the yellow hues of Willem de Kooning to the cadmium red favored by Donald Judd to emphasize line and texture; and the mid-century public sculpture by Mark di Suvero, Richard Serra and John Chamberlain.

Continuing a 20th-century thought-provoking theme, Bove and Craft have curated a separate exhibition of small works, miniatures, scale models, and models by artists such as Alberto Giacometti, Pablo Picasso, and Henry Moore, who examine many large-scale experiments. §


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This 3D printed ceramic architectural sculpture appears to float ethereally on a shallow pool! https://balibs.org/this-3d-printed-ceramic-architectural-sculpture-appears-to-float-ethereally-on-a-shallow-pool/ Tue, 19 Oct 2021 07:00:00 +0000 https://balibs.org/this-3d-printed-ceramic-architectural-sculpture-appears-to-float-ethereally-on-a-shallow-pool/ Set over a shallow, sparkling pool in the Olbrich Botanical Gardens in Madison, Wisconsin is a 3D printed sculpture called “Prairie Cord.” Designer Brian Peters has embarked on an intense journey to explore 3D printed designs, from the parts to the whole. The result of his exploratory process was an outdoor public art installation that […]]]>

Set over a shallow, sparkling pool in the Olbrich Botanical Gardens in Madison, Wisconsin is a 3D printed sculpture called “Prairie Cord.”

Designer Brian Peters has embarked on an intense journey to explore 3D printed designs, from the parts to the whole. The result of his exploratory process was an outdoor public art installation that appears to float on a serene body of water while playing with light, shadow and reflection during the day and at night. The architectural sculpture imitates a trellis-shaped arch, which artfully reflects off the surface of the pool, creating a bewitching solid cylinder! Although it appears that the sculpture magically floats on the body of water, it is actually supported by a concrete block foundation. Like its name, the structure’s intricate fill pattern is inspired by native prairie string grasses. The creative pattern allows light to filter gently into and out of the installation.

Designer: Brian Peters







The installation was constructed from 80 individual ceramic blocks. Sixteen unique block designs have been distributed among the block collection, depending on where they were placed. This created an assemblage of blocks, accented by a variety of artistic and attractive designs. This temporary installation is nothing boring! Not to mention that all ceramic blocks are 3D printed! The blocks were designed and manufactured by Peters himself, through a custom process he has been working on for years. Once 3D printed in his Pittsburgh studio, the blocks are refined and baked in an oven!

The Prairie Cord is unlike any of the usual facilities we come across. From the manufacturing process to the final structure, there is something magical and unique about every step of this journey. The end result is a beautiful sculpture, which floats ethereally above the shimmering waters!


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Danish sculpture in Hong Kong is still standing but the avocado is missing https://balibs.org/danish-sculpture-in-hong-kong-is-still-standing-but-the-avocado-is-missing/ Fri, 15 Oct 2021 07:00:00 +0000 https://balibs.org/danish-sculpture-in-hong-kong-is-still-standing-but-the-avocado-is-missing/ The ‘pillar of shame’ is still standing at the University of Hong Kong – Photo: Kris Cheng / HKFP There has been much controversy over the possible removal of the “Pillar of Shame” sculpture from the University of Hong Kong building. As a letter from a London-based law firm acting on behalf of the University […]]]>
The ‘pillar of shame’ is still standing at the University of Hong Kong – Photo: Kris Cheng / HKFP

There has been much controversy over the possible removal of the “Pillar of Shame” sculpture from the University of Hong Kong building. As a letter from a London-based law firm acting on behalf of the University stated that the statute had to be removed “by 5:00 p.m. on October 13, 2021”, or it would be considered “dropped” and processed “in such a way” as the university sees fit, the media and politicians have turned the spotlight on China.

The statue is still standing, however, but the lawyer who sent the letter has now disappeared.

The Danish artist Jens Galschiøt made the sculpture in memory of the Tiananmen Square massacre in 1989. He loaned the sculpture to the University of Hong Kong.

“I don’t think the Chinese authorities expected the destruction of a sculpture in Hong Kong to make so much noise,” Jens Galschiøt told JydskeVestkysten on Tuesday.

The artist spoke to hundreds of media outlets about the controversy. “The status is that the sculpture is still standing even though the authorities said they would take matters into their own hands if the statue was still there. We have people in the view who say the statue is still completely intact,” said declared a member of the staff of the Galschiøt gallery.

It was not just the media that took an interest in the affair. A few Danish politicians also voiced their criticism of the controversial Chinese decision and urged Danish Foreign Minister Jeppe Kofoed to ask the Chinese ambassador to Denmark to explain why China wants the monument removed.

Currently, it appears that the statue remains for the time being, but the lawyer who sent the letter has instead disappeared. Some sources say that this disappearance is also the reason why the statue has not yet been removed.


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Artist wants Hong Kong sculpture to return as deadline for moving passes – The Diplomat https://balibs.org/artist-wants-hong-kong-sculpture-to-return-as-deadline-for-moving-passes-the-diplomat/ Wed, 13 Oct 2021 07:00:00 +0000 https://balibs.org/artist-wants-hong-kong-sculpture-to-return-as-deadline-for-moving-passes-the-diplomat/ Power of China | Society | East Asia The order of reference is “an attack on the memory of the Tiananmen crackdown,” artist Jens Galschioet said. Advertising A Danish artist is seeking to recover his sculpture in Hong Kong commemorating the victims of China’s Tiananmen Square crackdown in 1989 as the deadline for its removal […]]]>

Power of China | Society | East Asia

The order of reference is “an attack on the memory of the Tiananmen crackdown,” artist Jens Galschioet said.

A Danish artist is seeking to recover his sculpture in Hong Kong commemorating the victims of China’s Tiananmen Square crackdown in 1989 as the deadline for its removal passed on Wednesday.

Jens Galschioet said in an emailed statement that he has hired a lawyer and hopes he can transport the sculpture out of Hong Kong “under orderly conditions and without damage.”

Last week, the University of Hong Kong demanded the removal of the “Pillar of Shame” sculpture by 5:00 p.m. (09:00 GMT) on Wednesday. No immediate action was taken as the deadline had passed.

“We are still seeking legal advice and are working with related parties to deal with the matter in a legal and reasonable manner,” the university said in an emailed statement.

An activist group, the Hong Kong Alliance for the Support of China’s Democratic Patriotic Movements, released a letter from lawyers representing the university on Friday saying the sculpture would be considered abandoned if not taken to the city. delays.

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Galschioet had loaned “Pillar of Shame” to the group, which disbanded last month amid a crackdown on political activism in the semi-autonomous town. The sculpture has been in Hong Kong for 24 years.

Chinese leaders sent the military to end pro-democracy protests in Tiananmen Square in Beijing in 1989, killing hundreds if not thousands.

The ruling Communist Party has crushed any public discussion or commemoration of events in mainland China. For years, the only major memorial on Chinese soil was an annual candlelight vigil in Hong Kong, but authorities have banned the gathering for the past two years, citing concerns over COVID-19.

Galschioet told the AP he would prefer the sculpture to stay in Hong Kong, but as a second choice it could be placed elsewhere until it can be brought back to the city or to another site in China.

“We don’t know exactly where we should put it, but we think we have a possibility in Taiwan, we have a possibility in the United States, in Washington DC, maybe in front of the Chinese embassy, ​​and in Europe.” , did he declare. noted.

The artist said last week that it would take time to move the sculpture and expressed concern that the tight deadline set by the university meant authorities intended to destroy it.

“It’s an attack on art, and it’s an attack on memory on the Tiananmen crackdown,” he said at the time.

The artist’s statement said his lawyer sent a letter on Tuesday requesting a hearing on the matter and that they were seeking an amicable resolution. He did not want to reveal the name of the law firm.

“I want to stress that I consider any damage to the sculpture to be the responsibility of the university,” he wrote.


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Hong Kong university orders Tiananmen sculpture to be removed https://balibs.org/hong-kong-university-orders-tiananmen-sculpture-to-be-removed/ Sat, 09 Oct 2021 07:00:00 +0000 https://balibs.org/hong-kong-university-orders-tiananmen-sculpture-to-be-removed/ Hong Kong university orders Tiananmen sculpture to be removed School cites “legal advice” as evidence accumulates of Beijing’s tightening grip A member of the Hong Kong University student union cleans up the “Pillar of Shame,” a monument commemorating the victims of the 1989 Tiananmen Square crackdown at the University of Hong Kong in June. University […]]]>

Hong Kong university orders Tiananmen sculpture to be removed

School cites “legal advice” as evidence accumulates of Beijing’s tightening grip

A member of the Hong Kong University student union cleans up the “Pillar of Shame,” a monument commemorating the victims of the 1989 Tiananmen Square crackdown at the University of Hong Kong in June. University authorities ordered the statue to be removed. (AFP file photo)

HONG KONG (Reuters) – Hong Kong’s oldest university has ordered the removal of a sculpture commemorating protesters killed in China’s Tiananmen Square crackdown in 1989, according to a legal letter released Friday.

The eight-meter-high copper sculpture was the centerpiece of a candlelight vigil held on June 4 to commemorate those killed when Chinese tank-backed troops opened fire on unarmed pro-democracy activists in Beijing .

The sculpture shows 50 anguished faces and tortured bodies stacked on top of each other, and has been on display on the college campus for more than two decades.

The move was condemned by Danish sculpture sculptor Jens Galschiot, who told AFP his withdrawal illustrated the ongoing purge of dissent in the once Frankish and semi-autonomous business center.

In a legal letter to the now dissolved Hong Kong Alliance (HKA) – the organizer of the annual Tiananmen vigils that drew thousands of people but will likely never be held again – the University of Hong Kong (HKU ) asked the group to “immediately… arrange for the sculpture to be removed from the university premises” by 5:00 pm on Wednesday.

“If you don’t remove the sculpture… it will be considered abandoned,” the letter reads.

He added that the university will treat the sculpture as it sees fit without further notice.

Richard Tsoi, a former member of the HKA standing committee, said the university’s request was “unreasonable” and that he had sent a request to the university chancellor to keep the sculpture.

“As an area of ​​free speech and academic freedom, the University of Hong Kong has a social responsibility and mission to preserve the ‘pillar of shame’,” Tsoi said in a statement.

In an email response to AFP on Monday, sculptor Jens Galschiot said he was “shocked that there are plans to desecrate the only memorial of such an important and important event in Chinese history.”

“I wish the Pillar would stay in Hong Kong, where it is today. It would be historically correct. The pillar is an important work of art that has a historical connection to Hong Kong and should remain on Chinese territory, ”he said.

HKU said its request was “based on the latest risk assessment and legal advice.”

Groups and locations linked to the commemoration of the June 4 massacre have become the latest target in a sweeping national security law that China imposed on Hong Kong last year to quell dissent after huge and often violent demonstrations for democracy.

The Hong Kong Alliance disbanded in late September after arrests of its leaders under the Security Act and a police raid on the June 4 museum. The museum has also been closed but it still maintains an online presence.


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Dr Reddy’s Brushes Break Their Way Into Guinness World Records With Largest Toothbrush Tooth Sculpture | India News https://balibs.org/dr-reddys-brushes-break-their-way-into-guinness-world-records-with-largest-toothbrush-tooth-sculpture-india-news/ https://balibs.org/dr-reddys-brushes-break-their-way-into-guinness-world-records-with-largest-toothbrush-tooth-sculpture-india-news/#respond Tue, 28 Sep 2021 07:00:00 +0000 https://balibs.org/dr-reddys-brushes-break-their-way-into-guinness-world-records-with-largest-toothbrush-tooth-sculpture-india-news/ Hyderabad: Pharmaceutical company Dr Reddy’s Laboratories Ltd has made its way into Guinness World Records by creating the world’s largest toothbrush sculpture of a body part. Named Fastminar, the 40-foot sculpture of a tooth that was made using nearly 80,000 toothbrushes has been certified by Guinness World Records as the largest toothbrush sculpture of a […]]]>
Hyderabad: Pharmaceutical company Dr Reddy’s Laboratories Ltd has made its way into Guinness World Records by creating the world’s largest toothbrush sculpture of a body part.
Named Fastminar, the 40-foot sculpture of a tooth that was made using nearly 80,000 toothbrushes has been certified by Guinness World Records as the largest toothbrush sculpture of a body part. in the world (sustained), said Dr Reddy.
The record-breaking feat saw the participation of 8,890 dentists across the country who provided toothbrushes for the construction of Fastminar in an attempt to bring attention to the topic of dentin and tooth sensitivity, treatment options, maximize awareness and encourage prompt action to bring sensitivity relief india.

The sculpture was created by the team of the major pharmaceutical company based in Hyderabad who manages Senquel F, its medicated oral gel offering. The monument was erected at Terna Dental College in Navi Mumbai where it will remain on display for 365 days.
Dr Reddy’s said that in keeping with his commitment to a greener and more sustainable lifestyle, toothbrushes and materials used in the monument will be dismantled, pulverized and reused in construction and construction activities a once the exhibition is over.
The unique monument was unveiled by the Honorary Secretary General of the Indian Dental Association, Dr Ashok Dhoble, in the presence of officials from Guinness World Records, Dr Reddy’s Labs and Terna Dental College.

Speaking on the occasion, IDA Secretary General Dr Ashok Dhoble said: “One in five people suffers from tooth sensitivity in India, and despite this prevalence there is often little timely corrective action against it. she. The main reason for this is poor understanding and low awareness of dentin hypersensitivity.
MV Ramana, CEO of Branded Markets (India and Emerging Markets), Dr Reddy’s Labs, said: “Minars are the pride of a city and their construction takes years. But our minar, which is a symbol of our promise to quickly relieve dentinal sensitivity, was built in just over a month in accordance with our “good health can’t wait” credo. Hence the name “Fastminar”.
Dentin hypersensitivity (DH) is one of the most common dental clinical conditions encountered in the general public and occurs as a result of exposure of the dentin portion of the tooth to the oral environment following loss of cementum or overlying enamel.
DH is initially experienced as episodic pain and can become chronic over time due to increased wear and tear on the teeth. It is a painful condition with a prevalence ranging from 4 to 74% worldwide among the adult population, said Dr Reddy, adding that in India the prevalence of hypersensitivity ranges from 40 to 50%. and is higher in patients aged 20 to 20 years. 50 years.


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CVA announces the winners of the Sculpture Trail https://balibs.org/cva-announces-the-winners-of-the-sculpture-trail/ https://balibs.org/cva-announces-the-winners-of-the-sculpture-trail/#respond Fri, 24 Sep 2021 07:00:00 +0000 https://balibs.org/cva-announces-the-winners-of-the-sculpture-trail/ Richard Pitts’ “Windy Ribbon” won first prize in the 2021 Cherry Valley Artworks Sculpture Trail. (Contributed). Cherry Valley Artworks awarded the top prize for his 2021 Carving Trail to Richard Pitts of New Albany, Pa., For his work “Windy Ribbon”. Pitts received a $ 1,000 award for his work, an eight-foot-tall bright red piece made […]]]>
Richard Pitts’ “Windy Ribbon” won first prize in the 2021 Cherry Valley Artworks Sculpture Trail. (Contributed).

Cherry Valley Artworks awarded the top prize for his 2021 Carving Trail to Richard Pitts of New Albany, Pa., For his work “Windy Ribbon”.

Pitts received a $ 1,000 award for his work, an eight-foot-tall bright red piece made of powder-coated aluminum.

The second prize of $ 500 went to Bruce Gagnier, an artist from Brooklyn, for a series of powerful life-size bronze figures, “Yrsa,” May “and” Red “.

Exhibition judge Ed Smith, a member of the National Academy and the Royal British Society of Sculptors, gallery director and art professor at Marist College, said it was difficult to judge this year’s competition .

“The choice of awards was especially difficult because there were so many outstanding works,” Smith said in a press release. “The level of commitment, dedication and invention is visually impressive and gives a great break. I was especially encouraged by how the Cherry Valley community embraced the work.

The three statues of Bruce Gagnier were also praised by the judges, taking second place. (Contributed).

“There were many notable works that gave me a lot to think about, such as ‘Lost Orchid’ by George Hendrickson, ‘Introspection’ by Liza Little and ‘Forte II’ by Regiane Donadio, among many others. . The quality and the breath of the exhibition made the selection process very difficult but deeply moving.

Smith said he was moved by the powerful statement made by Pitts in the winning artwork.

“The placement draws attention to the entire sculpture trail and this exceptional work sets a visual standard that elevates the entire exhibit,” he said.

However, Smith said he struggled to choose between the two finalists.

“Bruce Gagnier has been extremely generous in showing three of his bronze figures (YRSA, MAY, RED) who have anchored the exhibition in history, artistic discipline and merit,” he said. “The dialogue created by these bronzes brings a sense of discovery and dignity to the Sculpture Trail. These remarkable works came in very close second.

The Sculpture Trail will continue to be visible along Main Street in Cherry Valley until Friday, October 8. Maps are available at the Cherry Valley Museum and other businesses in Cherry Valley.


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WATCH: Clark City’s new aquatic center reinterpreted as a candy sculpture https://balibs.org/watch-clark-citys-new-aquatic-center-reinterpreted-as-a-candy-sculpture/ https://balibs.org/watch-clark-citys-new-aquatic-center-reinterpreted-as-a-candy-sculpture/#respond Wed, 22 Sep 2021 07:00:00 +0000 https://balibs.org/watch-clark-citys-new-aquatic-center-reinterpreted-as-a-candy-sculpture/ Here’s a sweet take on the New Clark City Aquatic Center: a reinterpreted cookie and candy sculpture! Morinaga, one of Japan’s leading confectionery companies, has recreated Capas’ pool, Tarlac using their beloved goodies such as Dars Chocolate, Choice Cookies, Haichuu, and Ramumune. In case you don’t remember, the New Clark City Aquatic Center hosted the […]]]>

Here’s a sweet take on the New Clark City Aquatic Center: a reinterpreted cookie and candy sculpture!

Morinaga, one of Japan’s leading confectionery companies, has recreated Capas’ pool, Tarlac using their beloved goodies such as Dars Chocolate, Choice Cookies, Haichuu, and Ramumune. In case you don’t remember, the New Clark City Aquatic Center hosted the water polo, swimming and diving events of the 30th Southeast Asian Games from November to December 2019.

Using cookies and candies, the snack company made its own take on the 2,000-seat venue, which was inspired by the different facets of the country’s coastal scenes.

The Ministry of Commerce and Industry wrote on its Facebook page: “The concept of prismatic aquatic architecture-design is inspired by local capiz, grid windows, baklad weaves or fishing nets and graceful flow celebrating the spirit of the unique culture and way of life of Filipino coastal communities.

According to DTI, the cool collaboration was carried out by Morinaga & Company, Ltd., Chihiro Graphics, Budji Layug & Royal Pineda, the Philippine Trade and Investment Center in Tokyo, and the Design Center in the Philippines.

READ: Almost There: The PH Creative Industries Bill Approved on Final Reading in Congress



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